Xavier Queipo

Sample

They had met in the cinema. In one of those enormous auditoriums you hardly ever see any more. It was a screening of Apocalypse Now, Coppola’s poignant parable based on Conrad’s Heart of Darkness. During the scene when the helicopters advance on the Viet Cong to the rhythm of Wagner, the auditorium filled with light from the napalm explosions. That was the first time they saw one another, when the shadows gave way to light. That was when she said, naturally, sincerely, with the cool assurance of a woman who knows she is a builder of dreams:

‘Let me hold your hand. I feel kind of shaky.’

‘Sure. Don’t worry. I’ll be here till the end of the film,’ Francis replied with a rush of confidence.

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